|
|
|
ONE PERSON EXHIBITIONS |
2010 |
If I knew more, I would tell you,
Posie Kviat Gallery, Hudson, NY
|
2009 |
Simply Because You're Near Me
Pasadena City College , Pasadena, CA
|
2008 |
Neither Here Nor There
Media Project, Fringe Exhibitions, Los Angeles, CA
|
2006 |
Lessons
Fringe Exhibitions, Los Angeles, CA
|
2000 |
Still (and all) Eileen Cowin 1971-1998
The Amory Center for the Arts, Pasadena, California (traveling/publication)
Southeast Museum of Photography, Daytona Beach, Florida
University of Maryland Fine Arts Gallery, Baltimore, Maryland
The Contemporary Arts Center, Cincinnati, Ohio |
1999 |
It’s so good to see you, deep river, Los Angeles,
California |
1998 |
Returning to Ordinary Life, University Art Museum,
California State University, Long Beach, California |
1995 |
domestic settings, Los Angeles, California (collaboration
with Louise Erdrich) |
1994 |
Gallery 954, Chicago, Illinois |
1993 |
Jayne H. Baum Gallery, New York, New York |
1991 |
Jayne H. Baum Gallery, New York, New York
Roy Boyd Gallery, Santa Monica, California
Museum of Contemporary Photography, Columbia College, Chicago |
1989 |
Roy Boyd Gallery, Santa Monica, California |
1988 |
Jayne H. Baum Gallery, New York, New York
Cleveland Museum of Art, Cleveland, Ohio |
1987 |
Min Gallery and Studio, Tokyo, Japan
Center for Photography, Osaka, Japan |
1985 |
Los Angeles County Museum of Art, Los Angeles, California
Viviane Esders Gallery, Paris, France |
1984 |
H. F. Manes’ Gallery, New York, New York
The Light Factory, Charlotte, North Carolina
Lightsong Gallery, University of Arizona, Tucson Arizona |
1983 |
Orange Coast College, Costa Mesa, California
Blue Sky Gallery, Portland, Oregon |
1980 |
Orange Coast College, Costa Mesa, California |
1979 |
The Light Factory, Charlotte, North Carolina
San Francisco Camerawork, San Francisco, California |
1978 |
Metropolitan State College, Denver, Colorado |
1977 |
O. K. Harris Gallery, New York, New York |
1976 |
Light Gallery, New York, New York |
1975 |
Portland School of Art, Portland, Maine |
1973 |
School of the Dayton Art Institute, Dayton, Ohio |
1972 |
School of the Dayton Art Institute, Dayton, Ohio |
1971 |
Witkin Gallery, New York, New York |
1970 |
Cooper Union, New York, New York |
GROUP EXHIBITIONS/FILM
FESTIVALS |
2012 |
"Backyard Oasis, The Swimming Pool in Southern California Photography, 1945-1982", Palm Springs Art Museum, Palm Springs, CA
"Site Specific: LACPS and the Politics of Community", USC Fisher Gallery, Los Angeles, CA
|
2011 |
"Narrative Interventions in Photography", The J.Paul Getty Museum, Los Angeles, CA
"Under the Big Black Sun: California Art 1974-8", MOCA, Los Angeles, CA
|
2010 |
"15 Minutes of Fame: Portraits from Ansel Adams to Andy Warhol", Orange County Museum of Art, Newport Beach, CA
"Continuum: A Re-Examination", Stephen Cohen Gallery, Los Angeles, CA
"Continuum: A Re-Examination", Sylvia White Gallery, Ventura, CA
Video Screening, MAK Center for Art and Architecture, MOCA, Los Angeles, CA "Incognito", Santa Monica Museum of Art, Santa Monica, CA
"BC Space, Mything in Action", CSUF Grand Central Art Center, Santa Ana, CA
|
2009 |
"The Sum of Myself, Photographic Self-Portraits from the Audrey and Sidney Irmas Collection", Los Angeles County Museum of Art, Los Angeles, CA
"at the Brewery Project 1993-2007 the Finale" The Armory Center for the Arts, Pasadena, CA
"In Focus: Making a Scene" The Getty Center, Los Angeles, CA
|
2008 |
"A Photographer's Eye: A Way of Seeing" The Museum of Photographic Arts, San Diego, CA
"Portland Women's Film Festival" Portland, OR
"This Side of Paradise", The Huntington Library, Art Collection. San Marino, CA
"Emphasis Santa Monica" Pete & Susan Barrett Art Gallery, Santa Monica College, Santa Monica, CA
|
2007 |
"Multiple Vantage Points: Southern California Women Artists, 1980-2006" Los Angeles Municipal Gallery, Los Angeles, CA
"HausGuests" The Brewery Project, Los Angeles, CA
"The Seventies Revisited" dnj gallery, Los Angeles, CA
|
2006 |
"Witness Protection" Three Person Exhibition,
Robert V.Fullerton Museum, California State University San Bernardino,
San Bernardino, California "Masquerade: Role Playing in Self-Portraiture-Photographs from the Audrey and
Sidney Irmas Collection" Los Angeles County Museum of Art, Los Angeles, CA
"Innovation/Imagination: Fifty Years of Polaroid Photography" Johnson Museum, Cornell University, Ithaca, NY
"Telling" Torrance Art Museum, Torrance, CA
|
2005 |
"Random Acts from Everyday Life" Eileen
Cowin and Jody Zelen, Azusa Pacific University, Azusa, California
"Several Artists Consider Books" Paul Kopeiken Gallery,
Los Angeles, California
Group Exhibition from the Collection, Santa Barbara Museum of Art,
Santa Barbara, California
"Heartfelt" Flordia State University Museum of Fine Arts,
Tallahassee, Florida
10th Anniversary Exhibition. Tokyo Metropolitan Museum of Photography,
Tokyo Japan |
2004 |
"Transfictions" Jack Butler, Eileen Cowin
and Grant Mudford, USC Fisher Gallery,
Los Angeles, CA (catalogue)
New Orleans Film Festival, New Orleans, LA |
2003 |
"Visual Effect" presented
by Fringe Exhibitions, Remote Lounge, New York
"USA Film Festival", Dallas, Texas, Award: Best Experimental
Film
"From the Vault, Recent Acquisitions of the UAM Works on Paper",
University Art Museum, Cal State Long Beach, California
"LA International Short Film Festival", Los Angeles, CA
Soft Machine, Brewery Projects, Los Angeles, California |
2002 |
"Taken by Design" The Art Institute of
Chicago, Chicago, Illinois "Armory 2002 Installational"
Armory Northwest Gallery, Pasadena, California "Media"
Brewery Projects, Los Angeles, California |
2001 |
"Synesthesia: The Next Generation in Art",
Wood Street Gallery & Sculpture Garden, Chicago, Illinois |
2000 |
"American Perspective: Photographs from the
Polaroid Collection", Tokyo Metropolitan Museum of Photography,
Tokyo, Japan (catalogue) "Staged and Manipulated: Photographic
Fictions from St. Louis Collections" The Saint Louis Art Museum,
St Louis, Missouri "Made in California" Los Angeles
County Museum of Art, Los Angeles, California
(commissioned work) |
1999 |
"Innovation/Imagination: 50 Years of Polaroid
Photography", Friends of Photography,San Francisco, California
(catalogue) "Historically Speaking: UAM 25 Year of Excellence"
University Art Museum,California State University, Long Beach,California
(catalogue) |
1998 |
"Cola Exhibition", Municipal Art Gallery,
Los Angeles, California "Group Exhibition" University
of Rochester, Rochester, New York "The 90’s : A Family
of Man", Casino Luxembourg - Forum d’art contemporain
Luxembourg (catalogue) "Digial Frontiers", George
Eastman House, Rochester, NY(catalogue on CD) "Group Exhibition",
Southeast Museum of Photography, Daytona Beach, Fl "Photograph’s
Multiple Roles: art, document, market, science" The Museum of
Contemporary Photography, Chicago, Illinois (catalogue) |
1997 |
"Subliminal Fictions", The Armory Center
for the Arts, Pasadena, California "Eye of the Beholder"
Photographs From the Avon Collection, International Center of Photography
Midtown, New York New York "Scene of the Crime" UCLA/Armand
Hammer Museum, Los Angeles, California
(catalogue) "Digital Photography from Nash Editions"
Cypress College, Cypress, California "Double Vie, Double
Vue", Foundation Cartier pour l’art Contemporain, Paris,
France
(catalogue) "Defining Eye: Women Photographers of the Twentieth
Century", The Saint Louis Museum of Art, Saint Louis, Missouri
(catalogue) "Selections from the Audrey and Sidney Irmus
Collection of Photographic Self Portraits", Los Angeles County
Museum of Art, Los Angeles, California "Light Traces :
Photographs from the Tim Ann, Catherine Nevil and William Parker Collection",
The Richmond Art Center, The Loomis Chaffee School, Windsor, Connecticut |
1996 |
"Telling Stories: Narrative Tableau Photography",
Jacksonville Art Museum,
Jacksonville, Florida (catalogue) "The Human Condition",
Caren Golden Fine Art, New York, New York "Identifying
the Voices", California State University, Fullerton, California
"Group Exhibition", Richard Heller Gallery, Santa Monica,
California "Some Grids", Los Angeles County Museum
of Art, Los Angeles, California "Nash Editions-Digital
Photography", The Butler Institute Of American Art, Youngstown,
Ohio "When Aaron Met Harry: Chicago Photograph 1946-1971",
The Museum of Contemporary Photography, Chicago, Illinois "Recent
Acquisitions 1992 - 1996" Center For Creative Photography, Tucson,
Arizona "Nash’s Greatest Hits" The Photographers’
Gallery, London, England |
1995 |
"P.L.A.N.: Photography Los Angeles Now",
Los Angeles County Museum of Art,
Los Angeles, California "Insight: Women’s Photographs
from the Collection", George Eastman House,
Rochester, New York "Fields of Vision Women in Photography",
Albin O.Kuhn Library & Gallery, University of Maryland, Baltimore,
Maryland "Informed by Film", Museum of Photographic
Arts, San Diego, California |
1994 |
"Targeting Images, Objects + Ideas", The
Museum of Contemporary Photography,
Chicago, Illinois "The Camera I", Los Angeles County
Museum of Art, Los Angeles, CA(catalogue) "Love in the
Ruins", Long Beach Museum of Art, Long Beach, California
"New Acquisitions/New Work/New Directions 2", Los Angeles
County Museum of Art, Los Angeles, California "Lessons
in Life", The Art Institute of Chicago, Chicago, Illinois
"Big Shots/Little Shots", Transamerica Pyramid Lobby Gallery,
San Francisco, California "Gallery Artists", Gallery
954, Chicago, Illinois "Gallery Artists", Jayne H.
Baum Gallery, New York, New York |
1993 |
"Fabricated Realities", The Museum of Fine
Arts, Houston, Texas "The Work of Eileen Cowin and Jim
Jenkins", Biola University, La Mirada, California "First
Anniversary Group Show", Gallery 954, Chicago, Illinois |
1992 |
"Eileen Cowin, Aura Rosenberg, Nancy Spero",
Roy Boyd Gallery, Santa Monica, California "Hollywood, Hollywood
: Identity under the Guise of Celebrity", Williamson Gallery,
Art Center College of Design, Pasadena, California (catalogue)
"Family Album-Changing Perspective of Family Portrait",
Tokyo Metropolitan Museum of Photography, Tokyo, Japan (catalogue)
"Dwellings of Introspection", San Jose Institute of Contemporary
Art, San Jose, California (3 person exhibition) "New Acquisitions,
New Work, New Directions", Los Angeles County Museum of Art,
Los Angeles, California "Alumni Art ’92", College
Art Gallery, SUNY at New Paltz, New Paltz, New York (catalogue)
"Instant-Imaging-Stories", Museum Moderner Kunst, Vienna,
Austria
(3-person exhibition) (catalogue) "SOMETHING’S OUT
THERE, Danger in Contemporary Photography", The National Arts
Club, New York, (catalogue) "Voyeurism", Jayne H.
Baum Gallery, New York, New York
1991"Pleasure and Terrors of Domestic Comfor", Museum of
Modern Art, New York, New York (catalogue) "Women and the
Surreal Narrative", Art Gallery, California State University,
Fullerton, California "Focus on Photography", Maier
Museum, Randolph-Macon Women’s College, Lynchburg, Virginia
"de-Persona", Oakland Museum, Oakland California (catalogue)
"Erotic Desire", Perspektief, Rotterdam, The Netherlands
(catalogue) "Individual Realities", Sezon Museum,
Tokyo, Japan; traveling: Tsukashin Hall,
Osaka, Japan (catalogue) "Group Exhibition", de Oude
Kerk, Amsterdam, The Netherlands (catalogue) "US Photographers",
Vooruit Kunstencentrum, Ghent, Belgium "Spring Acquisitions",
Weatherspoon Gallery, University of North Carolina
Greensboro, North Carolina "An Opening and a Closing",
Art Space, Los Angeles, California "Altered Truths: Contemporary
Photography from the Michael Meyers/Russell
Albright Collection", New Orleans Museum of Art, New Orleans,
Lousiana |
1990 |
"Seductive Deceptions: The Theatrical Image",
University Gallery, University of Florida, Gainsville, Florida (catalogue)
"The Big Picture: Selections from the Permanent Collection",
San Francisco Museum of Modern Art, San Francisco, California
"Large Works on Paper", University of Maryland, Catonsville,
Maryland "Faces", Marc Richards Gallery, Los Angeles,
California "Highlights", Jayne H. Baum Gallery, New
York, New York "Group Exhibit", Roy Boyd Gallery,
Santa Monica, CA "Identities: Portraiture in Contemporary
Photography", The Philadelphia Art Alliance, Philadelphia, Pennsylvania
(catalogue) "Artists in Academe III", Art Gallery,
California State University, Fullerton "Odalisque",
Jayne H. Baum Gallery, New York, New York "Pleasure Revisited",
Hartnett Gallery, University of Rochester, Rochester, NY |
1989 |
"Photographic Masterworks: Recent Acquisitions
from the Museum of Fine Arts", The Museum of Fine Arts, Houston
Texas "Light Years", University of Maryland, Baltimore
County, Baltimore, Maryland "Frames of Reference, Photographic
Paths", Fine Arts Gallery, University of Maryland, Baltimore,
Maryland "Nature and Culture: Conflict and Reconciliation
in Recent Photography", Friends of Photography, San Francisco,
California "Recent Acquisitions", Newport Harbor Museum
of Art, Newport Beach , California "Eileen Cowin, Darryl
Curran, The Photographic: Two Points of View", Art Gallery, California
State University, Fullerton (catalogue) "Group Exhibition",
Weber State College, Ogden, Utah "Fictive Strategies",
The Squibb Gallery, Princeton, New Jersey "Photography
Expanded", G.H. Dalsheimer Gallery, Baltimore, Maryland |
1988 |
"Art Against Aids, Los Angeles", Murray
Feldman Gallery, Los Angeles, California (catalogue) "Photo
- Generated Art", Roy Boyd Gallery, Santa Monica, California
"On the Edge", The Haggerty Museum of Art, Marquette University,
Milwaukee, Wisconsin (catalogue) "Suburban Visions, Middle
Class Dreams", Muckenthaler Cultural Center, Fullerton, California
"Towards the Photograph as Vulgar Document", Optica Center
for Contemporary Art, Montreal, Quebec, Canada "Relationships",
The Hippodrome Gallery, Long Beach, California "Art Networks
1950 - 1970", curated by Andrew Smith Gallery for Houston FotoFest’88,
Houston, Texas |
1987 |
"Fabrications: Staged, Altered and Appropriated
Photographs", International Center for Photography, New York,
New York "Homefront", Randolph Street Gallery, Chicago,
Illinois "Recent Acquisitions", Northlight Gallery,
University of Arizona, Tempe, Arizona "The New Who’s
Who", Hoffman Borman Gallery, Santa Monica, California
"4 x 4", University of Colorado Art Gallery, Boulder, Colorado
(catalogue) "Relationships", Long Beach Museum of
Art, Long Beach, California "JoAnn Callis, Eileen Cowin
- Untitled", The Museum of Contemporary Photography at Columbia
College, Chicago, Illinois "Frames of Time and Context:
The Development of Photographic Ideas",
Security Pacific National Bank, Los Angeles, California (catalogue) |
1986 |
"The Multicultural Imagination", Art Galleries
1 & 2, San Jose State University, San Jose, California "Spectrum
3: Selections from the Polaroid Collection", Cologne, West Germany
(catalogue) "Contemporary Color, Los Angeles Photography",
Bank of Los Angeles, Hollywood, California "Stills, Cinema
and Video into Photographs", Seattle Art Museum, Seattle, Washington
"Photographic Fictions", The Whitney Museum of American
Art, Stamford, Connecticut "Black, White and Color II:
Los Angeles", Diverse Works, Houston, Texas "Artists
Choose Artists,"CDS Gallery, New York, New York |
1985 |
"Extending the Perimeters of 20th Century Photography",
San Francisco Museum of Modern Art, San Francisco, California
"Images of Excellence from the Collection of the George Eastman
House", IBM Corporation, New York, New York "Artists
in Academe II", Art Gallery, California State University, Fullerton,
California "Group Exhibition", Bob Thomson Gallery,
Minneapolis, Minnesota "Group Exhibition", The Photographers’
Gallery, La Jolla, California "Representational Strategies
in Contemporary American Photography", Southern Illinois University,
Carbondale, Illinois |
1984 |
"Masking/Unmasking: Postmodern Photography",
Friends of Photography, Carmel, California "Self As Subject:
Visual Diaries by 14 Photographers", The University of New Mexico
Art Museum, Albuquerque, New Mexico (catalogue) "Strategy/Process/Evolution",
Rochester Institute of Technology Rochester, New York "Phantoms
and Melodramas", Addison Gallery of American Art, Andover, Massachusetts
"Eileen Cowin, Tom Arndt", Drew University, Madison, New
Jersey "Tenth Anniversary Exhibition", San Francisco
Camerawork, San Francisco, California "Faculty Invites",
University of Denver, Denver, Colorado "Group Exhibition",
H.F.Manes Gallery, New York, New York "Politics/Postmodernism",
Purdue University, West Layfayette, Indiana
1983 "Biennial Exhibition", Whitney Museum of American Art,
New York, New York (catalogue) "Group Exhibition",
Reatu Museum, Arles, France "The Theater of Gesture",
Los Angeles Center for Photographic Studies Los Angeles, California
"Figurative Contexts", Turman Gallery, Indiana State University,
Terre Haute, Indiana catalogue) "Six from LA", Silver
Image Gallery, Seattle, Washington "In the Blink of an
Eye", Municipal Art Gallery, Los Angeles, California "JoAnn
Callis, Eileen Cowin, Robert Heinecken", Rio Hondo College, Whittier,
California |
1982 |
"The Image Scavengers", Institute of Contemporary
Art, University of Pennsylvania, Philadelphia, Pennsylvania (catalogue)
"Linda Brooks, Eileen Cowin", Film in the Cities, St. Paul,
Minnesota "Photography Benefit ’82", Alliance
for Survival, Jack Rutberg Gallery Los Angeles, California "Studio
Work", Los Angeles County Museum of Art, Los Angeles, California
(catalogue) "West Coast Photography", Cypress College,
Cypress, California "Group Exhibition", Goddard -
Riverside Community Center, New York, New York "Ways of
Working", Los Angeles Center for Photographic Studies, Los Angeles,
California "California Photography", Museum of Art,
Rhode Island School of Design, Providence, Rhode Island (catalogue)
"Original Offset Photographs", Photo Center Gallery, New
York University, New York, New York |
1981 |
"Life as Story", Northlight Gallery, Arizona
State University, Tempe, Arizona "New Voices 2 : 6 Photographers",
Allen Memorial Art Museum, Oberlin, Ohio (catalogue) "Love
is Blind", Castelli Graphics, New York, New York "Exhibition
of Portraits", CEPA Gallery, Buffalo, New York "Eileen
Cowin, Kenda North", G. Ray Hawkins Gallery, Los Angeles, California
"Artists in Academe I", Art Gallery, California State University,
Fullerton, California "Perceptions on Paper: A Visual Dialogue",
Long Beach Gallery, Long Beach, California |
1980 |
"Group Exhibition", Santa Ana College,
Santa Ana, California "Eileen Cowin, Laura Krasnow, Connie
Noyes", Moming Dance and Art Center, Chicago, Illinois
"Silver Interactions", University of South Florida, Tampa,
Florida "Vis a Vis", Art Institute of Boston, Boston,
Massachusetts "Photographic Scale", Sonoma State University,
Rohnert Park, California |
1979 |
"Eileen Cowin, Phillip Galgiani, Victor Schrager",
Art Space, Los Angeles, California
"Uniquely Photographic", Honolulu Academy of Arts, Honolulu,
Hawaii
"Soiree Americaine", Arles, France
"Group Exhibition", University of New Mexico, Albuquerque,
New Mexico
"Attitudes: Photography in the 1970’s", Santa Barbara
Museum of Art, Santa Barbara, California
"Polaroid Art in the White Gallery", Tel - Aviv, Israel
"Southern California Photographic Survey: An Invitational Exhibit",
Fisher Gallery, University of Southern California, Los Angeles,
California
"Photographic Directions: Los Angeles", Security Pacific
National Bank, Los Angeles, California
"Group Exhibition", Go Gallery, University of California,
Los Angeles, California |
1978 |
"Silver See", Los Angeles County Museum
of Art, Los Angeles, California "Eileen Cowin, Joyce Neimanas",
Bard College, Annandale-on-the-Hudson, New York "Teaching
Artists", Art Gallery, California State University, Fullerton,
California |
1977 |
"Language and Image: Photo Linguistics",
Contemporary Graphics Gallery, Santa Barbara Museum of Art, Santa
Barbara, California "Fullerton Faculty Exhibition",
Muckenthaler Cultural Center, Fullerton, California "Los
Angeles Photographers", Texas Women’s College, Denton,
Texas "Silver See", The Los Angeles Institute of Contemporary
Art, Los Angeles, California "Great Enlargements",
Midway Studios, Chicago, Illinois "100 +", Los Angeles
Institute for Contemporary Art, Los Angeles, California "Three
Photographic Tangents", Humboldt State University, Arcata, California |
1976 |
"Fifth Anniversary Show", Light Gallery,
New York, New York "Photo Phenomenon", University
of Nevada, Reno, Nevada "Contemporary Photographs",
Fogg Museum, Harvard University, Cambridge, Massachusetts "Exposing
Photographic Definitions", The Los Angeles Institute of Contemporary
Art, Los Angeles, California (catalogue) "Group Exhibition",
Bird’s Eye View Gallery, Newport Beach, California "Photo
Synthesis", Herbert F. Johnson Museum, Cornell University, Ithaca,
New York "Multiple Media", Vanguard Gallery, Fullerton,
California |
1975 |
"Contemporary Gum Prints", University of
Florida, Gainesville, Florida "Group Exhibition",
University of Oregon, Eugene, Oregon "Group Exhibition",
Comsky Gallery, Beverly Hills, California "Eileen Cowin,
Wayne R.Lazorik", Columbia College, Chicago, Illinois "The
Human Image : Sociology and Photography", New York State University
College, Fredonia, New York "Eileen Cowin, Joan Lyons",
University of Connecticut, Storrs, Connecticut "Colors",
Florida State University, Tallahassee, Florida |
1974 |
"Eileen Cowin, Robert Fichter", University
of Rhode Island, Kingston, Rhode Island "Two Person Exhibit",
Imageworks, Cambridge, Massachusetts "Photography Unlimited",
Fogg Museum, Harvard University, Cambridge, Massachusetts "Group
Exhibit: NEA Project Grant Recipients", Franconia College, Franconia,
New Hampshire "Invitational Photography Exhibition",
Pensacola Junior College, Pensacola, Florida |
1973 |
"Photo Phantasists", Florida State University,
Tallahassee, Florida "Group Exhibit", Museum of Modern
Art, New York, New York |
1972 |
"Group Exhibit", Philadelphia Museum of
Art, Philadelphia, Pennsylvania "Transparency ’ 72",
University of California, Extension Gallery, San Francisco, California |
1971 |
"Group Exhibit", Gallery, Houston, Texas
"Photo Media USA", College of Marin, Marin, California
"Group Exhibit", Queens College, New York, New York |
1970 |
"Photographic Celebration", University
of Florida, Gainesville, Florida |
1969 |
"Group Exhibit", Witkin Gallery, New York,
New York |
1968 |
"Group Exhibit", Rosner Gallery, Chicago,
Illinois "Conference Exhibition", Annual National
Conference, Society for Photographic Education, Washington, D.C.
"Iowa Refocus Exhibit", University of Iowa, Iowa City, Iowa |
TRAVELING GROUP EXHIBITIONS |
2002-2003 |
"Taken by Design"The Art
Institute of Chicago, Chicago, Illinois
San Francisco Museum of Modern Art, San Francisco, California
Philadelphia Museum of Art |
2000 |
"Beyond Boundaries: Contemporary Photography
in Calfornia", The Friends of Photography, San Francisco, California;
California State University, Long Beach;
Santa Barbara Contemporary Arts Forum (catalogue) |
1997 |
"Defining Eye: Women Photographers of the
Twentieth Century"The Saint Louis Museum of Art, Saint Louis, Missouri (catalogue)
UCLA/Armand Hammer Museum, Los Angeles, California |
1994 |
"Metamorphosis: Photography in the Electronic
Age"Fashion Institute of Technology, New York, New York
Blaffer Gallery, University of Houston, Houston, Texas
Tampa Museum of Art, Tampa, Florida
Philadelphia Museum of Art, Philadelphia, Pennsylvania
San Jose Museum of Art, San Jose, California
Kemper Museum of Contemporary Art and Design, Kansas City, Missouri |
1994 |
"Empowered Images", USIA traveling exhibition
(catalogue) |
1992 |
"Proof: Los Angeles Art and the Photograph,1960-1980"(catalogue)
Laguna Art Museum, Laguna Beach, California
De Cordova Museum and Sculpture Park, Lincoln, Massachusetts
The Friends of Photography, Ansel Adams Center, San Francisco, California
Montgomery Museum of Fine Arts, Montgomery, Alabama
Tampa Museum of Art, Tampa, Florida
Des Moines Art Center, Des Moines, Iowa |
1992 |
"Quotations", The Aldrich Museum of
Contemporary Art, Ridgefield, Connecticut;
Dayton Art Institute Museum of Contemporary Art, Dayton, Ohio (catalogue) |
1992 |
"West Art & the Law", St. Paul,
Minnesota, traveling exhibition (catalogue) |
1990 |
"Symbol and Surrogate: The Picture Within"(catalogue)
University of Hawaii at Manoa, Art Gallery, Honolulu, Hawaii
Galleries of the Claremont Colleges, Claremont, California |
1990 |
"The Indomitable Spirit"(catalogue)
International Center of Photography, New York, New York
Los Angeles Municipal Art Gallery, Los Angeles, California |
1989 |
"The Photography of Invention: American Pictures
of the 1980’s"(catalogue)
National Museum of American Art, Washington, D.C. (1989)
The Museum of Contemporary Art, Chicago, Illinois (1989)
Walker Art Center, Minneapolis, Minnesota (1990) |
1989 |
"Recaption: Recontext - Photographs from the
Cray Research, Inc./ Film in the Cities Collection" (catalogue) |
1989 |
"Fantasies, Fables and Fabrications: Photoworks
from the 1980’s" Herter Art Gallery, University of Massachusetts,
Amherst, Massachusetts
Delaware Art Museum, Wilmington, Delaware (1989)
Lamont Art Gallery, Phillips Exeter Academy, Andover, Massachusetts (1990)
Gallery of Art, University of Missouri, Kansas City, Missouri (1991)
Museum of Contemporary Photography, Antwerp, Belgium (1991)
Museum of Contemporary Art, Villes Neuve D’Arc, France (1991)
Museum of Contemporary Art, Florence, Italy (1991) |
1988 |
"Selections 4 at Photokina ’88" (catalogue)
Polaroid Gallery, Cologne, Germany (1988)
Musee De L’Elysee, Lausanne, Switzerland
Victoria and Albert Museum, London, England
Kunsthall, Hamburg, Germany
Museo De Arte Contemporaneo de Caracas, Caracas, Venezuela |
1987 |
"Photography and Art: Interactions Since 1946"(catalogue)
Los Angeles County Museum of Art, Los Angeles, California (1987)
Museum of Art, Fort Lauderdale, Florida (1987)
Des Moines Art Center, Des Moines, Iowa (1988)
Queens Museum, Flushing, New York (1988) |
1986 |
"Masters and Masterpieces: Photographs from
the George Eastman House Collection" (book)
International Museum of Photography at George Eastman House, Rochester,
New York (1986)
Santa Barbara Museum of Art, Santa Barbara, California |
1986 |
"Third Western States Exhibition"(catalogue)
The Brooklyn Museum, Brooklyn, New York (1986)
Colorado Springs Fine Arts Center, Colorado Springs, Colorado (1987)
San Antonio Museum of Fine Art, San Antonio, Texas (1987)
Yellowstone Art Center, Billings, Montana (1987)
Palm Springs Desert Museum, Palm Springs, California (1987)
San Jose Museum of Art, San Jose, California (1988) |
1986 |
"Theatre des Realities", Metz, France
(catalogue) |
1985 |
"Eileen Cowin and John Divola: Recent Work,
No Fancy Titles" (catalogue) California International Arts
Foundation
La Jolla Museum of Contemporary Art, La Jolla, California
Arvada Center for the Arts and Humanities, Arvada, Colorado (1986)
Madison Art Center, Madison, Wisconsin (1986)
Halle Sud, Geneva, Switzerland (1987) |
1984 |
"Photography in California, 1945 - 1980" (catalogue)
San Francisco Museum of Modern Art, San Francisco, California
Akron Art Museum, Akron, Ohio (1984)
Corcoran Art Gallery, Washington, D.C. (1984)
Barnsdale Municipal Art Gallery, Los Angeles, California (1984)
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
(1984)
The High Museum of Art, Atlanta, Georgia (1985)
Museum Folkwang, Essen, West Germany (1985)
Musee National d’Art Moderne, Centre George Pompidou, Paris, France (1985)
Museum of Photographic Arts, San Diego, California (1986) |
1984 |
"Anxious Interiors"(catalogue)Laguna
Beach Museum of Art, Laguna Beach, CA
Alaska State Museum, Anchorage, Alaska (1984)
Alaska Association for the Arts, Juneau, Alaska (1984)
Visual Arts Center of Alaska, Fairbanks, Alaska (1984)
Walter Phillips Gallery at the Banff Center for the Arts, Banff, Canada
(1984)
Visual Arts Gallery, Florida International University, Miami, Florida (1984)
Bronx Museum, Bronx, New York (1985)
USF Gallery, University of Southern Florida, Tampa, Florida (1985)
Munson-Williams-Proctor Institute, Utica, New York (1985) |
1984 |
"Contemporary Constructs", Los Angeles
Center for Photographic Studies, in cooperation with the Otis Art
Institute of Parsons School of Design
Canon Photo Gallery, Amsterdam, The Netherlands (1984)
San Francisco Art Institute, San Francisco, California (1985) |
1984 |
"Arranged Photography Image Show"(catalogue)
Boise Gallery of Art, Boise, Idaho
Cheney Cowles Memorial Art Museum (1984)
Eastern Washington State Historical Society, Spokane, Washington (1984)
Yellowstone Art Center, Billings, Montana (1984)
San Francisco Camerawork, San Francisco, California (1984) |
1982 |
"The Alternative Image"(catalogue)
John Michael Kohler Art Center, Sheboygan, Wisconsin
Toledo Museum of Art, Toledo, Ohio (1983) |
1982 |
"Contemporary Photography as Phantasy"(catalogue)
Santa Barbara Museum of Art, Santa Barbara, California
Loyola Marymount University, Los Angeles, California (1982)
Huntsville Museum of Art, Huntsville, Alabama (1983)
Columbia Museum of Art and Science, Columbia, South Carolina (1983)
Gallery of Fine Arts, Daytona Beach Community College, Daytona Beach, Florida
(1983)
East Carolina University, Greenville, North Carolina (1983) |
1982 |
"Fugitive Color"(catalogue)
Sluffer Gallery, School of Art, University of Michigan, Ann Arbor, Michigan
Fine Arts Gallery, Central Michigan University, Mt.Pleasant, Michigan (1982)
Fine Arts Gallery, Henry Ford Community College, Dearborn, Michigan (1982)
Photography Gallery, Detroit Public Library, Detroit, Michigan (1982)
Muskegon Museum of Art, Muskegon, Michigan (1982)
Kalamazoo Institute of Art, Kalamazoo, Michigan (1982)
Krasl Art Center, St. Joseph, Michigan (1982)
Fine Arts Gallery, Northern Michigan University, Marquette, Michigan (1982) |
1982 |
"The Photographer as Printmaker"Sponsored by the Arts Council of Great Britain
Ferens Art Gallery, Hull, England
Leicester Museum and Art Gallery, Leicester, England
Stills Gallery, Edinburgh, Scotland
Castle Museum, Nottingham, England
Cooper Gallery, Barnsley
The Photographer’s Gallery, London, England |
1980 |
"The New Vision" (catalogue : Aperture
# 87)
Light Gallery, New York, New York |
1979 |
"Spectrum : New Directions in Color Photography"
(catalogue)
University of Honolulu Art Gallery, Honolulu, Hawaii
partial listing of exhibitions:
Lang Gallery, Scripps College, Pomona, California (1981) |
1979 |
"Translations : Photographic Images with New
Forms"Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York |
1977 |
"Emerging L.A. Photographers"(catalogue:
Untitled #11)
Friends of Photography, Carmel, California
International Center of Photography, New York, New York (1977)
Mount St.Mary’s College, Los Angeles, California (1977) |
1975 |
"New American Graphics"Madison Art Center, Madison, Wisconsin |
1973 |
"Light and Substance"(catalogue)
The University of New Mexico Art Museum, Albuquerque, New Mexico |
1972 |
"The Multiple Image"(catalogue)
University of Rhode Island, Kingston, Rhode Island |
PATRON PRINT CONTRIBUTIONS
|
2000 |
Side Street Projects. Los Angeles, California |
1993 |
Los Angeles Center for Photographic Studies, Los
Angeles, California |
1991 |
Fine Print Program, Museum of Contemporary Photography,
Columbia College
Chicago, Illinois |
1984 |
Sustaining Print Program, The Friends of Photography,
Carmel, California |
PORTFOLIOS |
1983 |
"Folio 83", California State
University, Fullerton, Edition of 50 |
1975 |
"Silver See", Los Angeles Center for
Photographic Studies, edition of 45 |
1974 |
"Colors", Florida State University,
Tallahassee, Florida |
MAJOR PRIVATE, PUBLIC COLLECTIONS |
0000 |
Aaron Spelling Productions, West Hollywood,
California
UCLA at the Armand Hammer Museum of Art, Los Angeles, California
The Art Institute of Chicago, Chicago, Illinois
Avon Collection, New York, New York
Baltimore Museum of Art, Baltimore, Maryland
Bayly Art Museum, University of Virginia, Charlottesville, Virginia
Bloomingdales, New York, New York
Boise Gallery of Art, Boise, Idaho
Brooklyn Museum, Brooklyn, New York
The Capital Group Corporation, Inc. Los Angeles, California
Center for Creative Photography, Tucson, Arizona
The Colorado College, Colorado Springs, Colorado
David Ruttenberg Collection, Chicago, Illinois
Denver Art Museum, Denver, Colorado
Fogg Museum, Harvard University, Cambridge, Massachusetts
First National Bank of Chicago, Chicago, Illinois
George Dalsheimer Collection, Baltimore, Maryland
Grunwald Center for the Graphic Arts, University of California, Los Angeles,
California
Hood Museum, Dartmouth College, Hanover, New Hampshire
Institute of Design, Illinois Institute of Technology, Chicago, Illinois
International Museum of Photography at George Eastman House, Rochester,
New York
J. Paul Getty Museum, Los Angeles, California
Jim Brennan Collection, Chicago, Illinois
University of Kansas Museum of Art, Lawrence, Kansas
Los Angeles County Museum of Art, Los Angeles, California
University of Maryland, Catonsville, Maryland
The Minneapolis Institute of Art, Minneapolis, Minnesota
The Museum of Modern Art, New York, New York
The Museum of Fine Arts, Houston, Texas
Museum of Art, Rhode Island School of Design, Providence, Rhode Island
The Museum of Contemporary Photography, Columbia College, Chicago, Illinois
Museum of Contemporary Art, Chicago, Illinois
Museum of Photographic Art, San Diego, California
National Gallery of Canada, Ottawa, Canada
National Museum of American Art, Smithsonian Institution, Washington, D.C.
Newport Harbor Museum of Art, Newport Beach, California
Northlight Gallery, University of Arizona, Tempe, Arizona
Princeton University Art Museum, Princeton, New Jersey
Polaroid Collection, Cambridge, Massachusetts
Ruttenberg Family Limited Partnership, Chicago, Illinois
San Francisco Museum of Modern Art, San Francisco, California
Santa Barbara Museum of Art, Santa Barbara, California
St. Louis Museum of Art, St. Louis, Missouri
Seattle Art Museum, Seattle, Washington
Security Pacific National Bank Collection, Los Angeles, California
Shirley Burden Collection, Los Angles, California
State University of New York at New Paltz, New Paltz, New York
Tampa Museum of Art, Tampa, Florida
Tokyo Metropolitan Museum of Photography, Tokyo, Japan
University Art Museum, California State University, Long Beach, California
Weatherspoon Art Gallery, Charlotte, North Carolina
Women’s Clinic, Los Angeles, California |
SELECTED PUBLICATIONS:
Books and Television |
0000 |
Badger, Gerry, The Pleasure of Good Photographs: Essays by Gerry Badger, (Aperture Foundation, NY, 2010) |
0000 |
Baldwin, Gordon, Looking at Photographs:
A Guide to Technical Terms, (J.Paul Getty Museum and the British
Museum, 1991) |
|
Billiter, Erica, Selections 3, Polaroid Internet
Home Page, 1997
Farber, Monika and Ralph Rugoff, INSTANT-IMAGING-STORIES, (Museum Moderner
Kunst, Vienna, Austria, 1992) |
|
Freeman, Judi, Eileen Cowin, Darryl Curran, The
Photographic : Two Points of View, (California State University,
Fullerton, 1989) |
|
Gallagher, David and Robert McCracken, SOMETHING’S
OUT THERE; Danger in Contemporary Photography, (The National Arts
Club, New York New York, 1992) |
|
Gauss, Kathleen, New American Photography, ( Los
Angeles County Museum of Art, Los Angeles, 1985) |
|
Glenn, Constance, Historically UAM: 25 Years of
Excellence, University Art Museum,(California State University, Long
Beach, California,1999) |
|
Gonzalez, Olivia, Defining Eye; Women Photographers
of the Twentieth Century, (The Saint Louis Museum of Art, St. Louis,
Missouri, 1997) |
|
Hoy, Anne, Fabrications: Staged, Altered, and Appropriated
Photographs, (Abbeville Press, New York, 1987) |
|
Johnstone, Mark, 4 x 4, (University of Colorado,
Boulder, Colorado,1987) |
|
Johnstone, Mark, Eileen Cowin, (MIN Gallery, Tokyo,
1987) |
|
Johnstone, Mark , Contemporary Art in Southern California,(Craftman
House, Australia,1999) |
|
Kojima,Hisaka(editor), Digital Image Creation Insights
into the New Photography, (Peachpit Press, California,1996) |
|
Kozloff, Max The Privileged Eye, (University of
New Mexico Press, Albuquerque, New Mexico, 1987) |
|
McGovern, Thomas, Witness Protection, (Robert V, Fullerton Art Museum, California State University, San Bernardino, 2006) Additional essay by Mark Alice Durant |
|
New Directions, (DPN America, Gallery of World Photography
Series, Tokyo, Japan, 1985) |
|
Photographis: The 1987 International Yearbook of
Photography, (Graphis Press Corp.Zurich, Switzerland, 1987) |
|
Psychology Today, (Random House, New York, 1982) |
|
Roegier,Patrick ,Double Vie, Double Vue, (Fondation
Cartier pour L’art Contemporain, Paris, France, 1996) |
|
Rugoff, Ralph, Scene of the Crime, (Armand Hammer
Museum at UCLA, Los Angeles, California, 1997) |
|
Rosenblum, Naomi, A History of Women in Photography,
(Abbeville Press, New York, 1994) |
|
Sandbye, Mette, Det Iscenesatte Fotografi, (Politisk
Revy - publisher, Denmark, 1992) |
|
Slemmons, Rod, Photography in the Collection of
the Seattle Art Museum, (Seattle Art Museum, Seattle, Washington,
1990) |
|
Smith, Joshua, The Photography of Invention: American
Pictures of the 1980’s (National Museum of American Art, Washington,
D.C., 1989) |
|
Spaid, Sue, Still(and all) Eileen Cowin 1971-1998,
(Armory Center for the Arts, Pasadena,California, 2000) additional
essay by Mark Alice Durant |
|
Sobieszek, Robert, Masters and Masterpieces : Photographs
from the George Eastman House, (Abbeville Press, New York, 1986) |
|
System Yellow Productions, Eileen Cowin The Seer
and the Scene(Seen), DVD 2003 |
|
The Art of Photography, (Time - Life Library of
Photography, New York, 1971) |
|
The Photographic Vision, 20 program telecourse production
for PBS, KOCE-TV (Huntington Beach, California) in cooperation with
CBS Educational/Holt, Rinehart and Winston. Program #4 "Seeing
With the Camera" (Eileen Cowin and Grant Mudford). Also Study
Guide for The Telecourse The Photographic Vision (Holt, Rinehart
and Winston/Coast Community Colleges, 1984) |
|
The Search for the Mind : Thinking, PBS program
produced by WNET-TV (New York, New York), aired internationally in
1988 |
|
Watts, Jennifer, Bohn-Spector, Claudia. This Side of Paradise: Body and Landscape in Los Angeles Photographs, Merrell with The Huntington Library, San Marino, 2008 |
|
Who’s Who in American Art, (Jacques Cattel Press,
1984) |
PERIODICALS |
0000 |
Accomando, Claire, "Altered
Images," Artweek, September 7, 1985
Albright, Thomas, "How Photography is Supposed to be Avant Garde," San
Francisco Chronicle
Aletti, Vince, "Voice Choice," Village Voice, November 30, 1993
Aletti, Vince, "Voice Choice," Village Voice, May 28, 1991
Aletti, Vince, "Voice Choice," Village Voice, September 11, 1990
Aletti, Vince, "Voice Choice," Village Voice, March 13, 1990
Aletti, Vince, "Voice Choice," Village Voice, November 22, 1988
Art in America Annual Guide 2002, Public Art in Review
Auerbach, Lisa Anne, "Subliminal Fictions at the Armory", LA Weekly
December 19, 1997
Barkey, Jonathan, "Towering Tableaux," F.Y.I. Shows, Photo/Design,
May/June 1991(repro)
Beller, Miles,"Preview: Eileen Cowin & Louise Erdrich at domestic setting,"Artweek,
May 1995
Bergen, Phillip, "The Style of the Story," Artweek, November 7, 1991
Bonetti, David, "’de-Persona’: Go Figure It," San Francisco
Examiner, June 7, 1991
Breslin, Ramsey Bell, "Nothing Personal" East Bay Express, June 7,
1991
Butler, Simone, "Moving Pictures", On Air Magazine, San Diego, January,
1995
Calder, Diane, "Continuing and Recommended", Art Scene, April 2009
Callahan, Sean, "Photo 150, The Art of the Real," Museum & Arts
Washington, May/June 1989 (repro)
Cameron, Daniel, "Biennial Cycle," Arts, June 1983
"Censorship," Framework, (reproduction), Vol 3, Issue 2/3, LACPS, Los
Angeles, CA
Carlson, Lance, "All in the Family," Artweek, January 31, 1983
Coleman, A.D., "Catch the Train and See the Show: Affectionate Homage to
Film Noir," The New York Observer, November 19, 1990
Coleman, A.D., "Archetypes, Talismans," The Village Voice, November
25,1971
Cottingham, Laura, Art & Auction, September 1989 (reproduction)
Cowin, Eileen, "On Robert Fichter," Working Papers, 3 -May 1982
Cowin, Eileen, Photo-Bulletin, G.Ray Hawkins Gallery, March - April 1981
Cowin, Eileen, "Reality, or Abraham Lincoln is Alive and Well and Living
in a Photograph,"Object, Illusion and Reality," Art Gallery, California
State Univ., Fullerton,1979
Curtis, Cathy, "A Movie and a Shaker," Los Angeles Times (Orange County
Edition),
March 24, 1994
Curtis, Cathy, "Reliving the Painful Search for One’s Identity," Los
Angeles Times (Orange County Edition), September 16, 1991
Curtis, Cathy, "Galleries," Los Angeles Times, April 7, 1989
Curtis, Cathy, "Two Points of View of Photography at CSUF," Los Angeles
Times,
February 24, 1989
Curtis, Cathy, "Suburban Visions, Middle Class Dreams Opens Centennial Series," Los
Angeles Times (Orange County Edition), July 25, 1988
Curtis, Cathy, "The Good, The Bad and The Baffling," Orange County
Register,
September 12,1985
Dubin, Zan, "Cowin: Set-up Scenarios," Los Angeles Times, Calendar,
September 8, 1985
Erdrich, Louise, "What’s in a picture" Civilization, March/April
1995
Fleming, Lee, "Image Making LA/DC at WPA and the Corcoran," Images
and Issues, September- October 1982
Foerstner, Abigail, "Inaugural Exhibit an Attention Getter for Midwest Artists," Chicago
Tribune, September 13, 1991
Foerstner, Abigail, "Artists ’Record’ Places on the Unsettling
Edge of Reality" Chicago Tribune,
May 8, 1987
For Your Art, January-March 2010
Frank, Peter, "Art Picks of the Week," LA Weekly, November 7, 1991
Frank, Peter, "Art Picks of the Week," LA Weekly, June 12 - June 18,
1998
Frank, Peter, "Art Picks of the Week," LA Weekly, October 16-22, 1998
Frank,Peter, "Still (and all) Eileen Cowin", Art on Paper, July-August
2000
Frank,Peter, "Art Pick" December 8-14, 2006
Frank,Peter, "Art Pick" December 7-13, 2007
Fudge, Jane, "Dark Passages, "Artweek, April 22, 1989
Gardner, Colin, "Cowin’s Facts on Display," Los Angeles Times,
Calendar, August 30, 1985
Geer, Suvan, "Relationships Run Through OC Artworks," Orange County
Register, May 8, 1987
Gluck, Grace, "Artists Who ’Scavenge’ from the Media," New
York Times, January 9, 1983
Goldberg, Vicki, "Photography and the Sin of Voyeurism," New York Times,
Sunday,
March 8, 1992, Section 2, pp. 1 & 30
Gottlieb,Shirley,"CSULB exhibit explores the mysteries of ordinary life",
Press-Telegram,
September 1,1998
Gordon, Allan, "Body Parts," Artweek, July 4, 1991
Giuliano, Mike, "Every Picture Tells a Story", Baltimore CityPaper
Online, December 6- 12, 2000
Grundberg, Andy, "Amid Train Data, Images of Danger and Intrigue," The
New York Times,
August 17, 1990
Grundberg, Andy, "The Crisis of the Real: Photography and Post Modernism,"Views:
Supplement 1986
Grundberg, Andy, "Photography: Biennial Show,"The New York Times, April
1, 1983
Grundberg, Andy, "Family Fables," Modern Photography, June 1983
Grundberg, Andy, "Re-appraising Photography’s Status," The New
York Times, June 7, 1984
Grundberg, Andy, "Urbane Images of Alienation and Voyeurism," The New
York Times,
December 2, 1988
Grundberg, Andy, "Photography : The New Hot Shots" Metropolitan Home,
July, 1989
Hagen, Charles, "Art In Review," The New York Times, August 23, 1991
Hagen, Charles, "Eileen Cowin at Jayne H. Baum" Artforum, November
1991
Harvey,Doug, "Sue Spaid; Used & Amused", LA Weekly, February 4,
2000
Harvey,Doug, "Last Round: At the Brewery Project: The Finale", LA Weekly, January 14, 2009
Heartney, Eleanor, "Eileen Cowin at Jayne H. Baum," Art in America,
April 1989
Heartney, Eleaner, "Eileen Cowin at Jayne H. Baum,"ARTnews, September
1991
Hite, Shere, "Women and Love: A Sampler," SAVVY Magazine, November,
1987 (illustration)
Holm, Michael Juul, "Foto og Virkelighed," Mette Sandbye’s Det
Iscenesatte Fotografi -
book review, Information, Denmark, June 23, 1992
Hoodleigh, Julia, "Is Monogamy a Myth," Health Magazine, February 1990
(illustration)
Hoy, Anne, "Fabrications," ASMP Bulletin, October 1988
Huntington, Richard, "CEPA Portrait Artists Comment on Mass Society," Buffalo
Courier Express, June 14, 1981
"Image Scavengers: Photography Exhibition," Print Collector’s
Newsletter, May - June 1983
Jenkins, Steve, "Previews : Eileen Cowin", Artweek, July/August 1998
Johnstone, Mark, "California Brain Surgery," Afterimage, Vol. 9 #8
March 1982
Johnstone, Mark, "More Camera Constructions," Artweek 10:41, page 2
Kandel, Susan, "LA in Review," ARTS Magazine, January 1992
Kandel, Susan, "Galleries", Los Angeles Times, January 7, 1993
Kandel, Susan, "Art Reviews", Los Angeles Times, May 29, 1995
Katz,Vincent, "WILD IRISES: A Nash Editions Portfolio," Aperture, 1994
Knight, Christopher, "A Suggestion of Cultural Edginess," Los Angeles
Times, Calendar,
March 10, 1994
Knight, Christopher, "Photos that Shun the ’Real World’," Los
Angeles Herald Examiner,
August 1,1982
Knight, Christopher, "There’s Evidence of Good Work Found at ’Scene
of the Crime’", Los Angeles Times, July 29, 1997
Knight, Christopher, "Revealing More Than Meets the Eye", Los Angeles
Times, January 29, 2000
Kugelman, Kerry, "Witness Protection" art.blogging.LA, March 30, 2006
LaCour, Beth, "Photography in the 1980’s : A Rebirth," Maier
Museum of Art, Randolph-Macon Woman’s College Newsletter, February 24-
March 31, 1991
Larsen, Jan Kornum, "Et Amphiteater af Blikke," Mette Sandbye’s
Det Iscenesatte Fotografi -
book review, Weekendanism, Denmark, June 19, 1992
Larson, Kay, "All American Energy," New York Magazine, April 11, 1983
Levin, Kim, "Double Takes," The Village Voice, April 26, 1983
Lippard, Lucy, "Cool Wave," The Village Voice, July 17, 1984
Lindboe, Ole, "Ud Med Virkeligheden," Mette Sandbye’s Det Iscenesatte
Fotografi -
book review, Politiken, Denmark, June 16, 1992
Los Angeles Times, "Best Bets" Weekend, January 20, 2000
Maleski, Stash, "Eileen Cowin at Roy Boyd Gallery," Visions, Spring
1992
McGee, Mike, "Fullerton’s Room With Two Views," Orange County
Register, February 26, 1989
McGovern, Thomas, "Still(And More to Come)", Afterimage, May/June 2000
McGovern, Thomas, "Artmaking in a Contested Eden", Afterimage, March/April
2001 (reproduction)
McGovern, Thomas, "Eileen Cowin: Simply Because You're Near Me", THE magazine, June 2009
Menzies, Neal, "Sensuous Set-Ups and Dramatic Tableaux," Artweek, April
11, 1981
Morris, Gay. "Adding a Bit of Realism to the Life of an Artist," The
Peninsula Times Tribune,
Morris, Gay, "Post-Modern Photography - One of the Latest Trends in Art," The
Peninsula Times Tribune, March 22, 1984
Morse, Marcia, "Uses of Color," Artweek, 1979
Muchnic, Suzanne, "A Spectrum of Colorists," Los Angeles Times, February
8, 1981
Muchnic, Suzanne, "Photos That Are Made, Not Found," Los Angeles Times,
September 1, 1982
Muchnic, Suzanne, "Breakthrough at Museum," Los Angeles Times
Muchnic, Suzanne, "From the Street to the Studio," Los Angeles Times,
Calendar,
September 1, 1982
Muchnic, Suzanne, "Reaping the Rewards of ’Avarice’," Los
Angeles Times, July 8 1992
Muchnic, Suzanne, "’Relationships’ Caught by 4 People-Watching
Artists," Los Angeles Times, May 1987
Muchnic, Suzanne, "Proof Positive," Los Angeles Times, January 10,1993
Nedonchelle, Catherine, "Defier Le Temps," City Magazine International,
May 1991
Nicholson, Chuck, "How Photographers Work", Artweek
Nicholson, Chuck, "Studio Work: Color it Large," Artweek, September
4, 1982
Pincus, Robert, "Looks That Deceive," San Diego Union, August 25, 1985
"Portfolio 1991," Framework, (reproduction),Vol 4, Issue 2 LACPS, Los
Angeles, CA
Quiver Vol. 2 #5 (1984); Vol. 1 #5 (1979); Vol. 1 #1 (1977); Tyler School of
Art,
Philadelphia, Penn. (repro)
Price,Bethany,Long Beach Business Journal. September 1-14, 1998
Raynor, Vivien, " Anxious Interiors in the Bronx,"The New York Times,
September 6, 1985
"Reviews: The Whitney Biennial," Flash Art, Summer 1983 (#113)
Reynolds, Judith, "The Rochester Conference"City Newspaper, Rochester,
New York
Roegiers, Patrick, "Representation publique de l’image privee dans
l’autoportrait mis en scene," Art Press Special Photo, November 1990
Rugoff, Ralph, "Enigmas" LA Style, June 1989
Saal, Mark, "Bigger Photos Command More Attention," Ogden Standard
Examiner,
January 13, 1989
Samore, Sam, "Playing It Again," Exposure 21:2
"Scene Stealers," LIFE Magazine, May 1983
Schetzel, Florence, "Alumni art graces the SUNY gallery", Poughkeepsie
Journal, August 29, 1992
Schjeldahl, Peter, "Neo-Smut," 7 Days, March 7, 1990
Schouten, Lydia, "Loneliness, Great Loneliness," Perspektief, January
1991 (repro)
see : a journal of visual culture, Issue 1:4, 1995, Eileen Cowin and Louise Erdrich:
Don’t Ever Lie to Me
Smith Richard, "Eileen Cowin, Darryl Curran," New Art Examinar May
1989
Smith, Roberta, "The Whitney Biennial: Taking Consensus," The Village
Voice, April 26, 1983
Solzanski, Edward, "Paintings and Photographs Inspired by Media Images," The
Philadelphia Inquirer, December 12, 1982
Stein,Jerry, "Photos draw viewers into story and mystery", Cincinnati
Post online ed. 2/1/01
"Tableau Photography," Picture Magazine, #18 1981
Taylor, Melissa, "A Postmodern Look at the World" Artweek, April 7,
1984
"The Dazzle of Los Angeles Photography," Los Angeles Weekly, February
5, 1982 Vol 4 #10
Thornton, Gene, "Some Can Stand Alone, But Not All," The New York Times,
November 28, 1971
Trebay, Guy, "A New York Welcome to LA," The Village Voice March 28,
1977
"Trends in Recent American Art," Harper’s Bazaar, April 1983
Tuchman, Laura, "The Art World’s ’kid’ gets a little respect," The
Orange County Register,
July 31, 1988
Willette, Jeanne, "Cola 1997-1998 at the Municipal Art Gallery", Artweek,
July/August 1998
Wilson, William, "’Cola’ Puts Spotlight on Local Winners," Los
Angeles Times, May 8, 1998
Wilson, William, "As Cowin Views it, Life is Not Always a Fairy Tale",
Los Angeles Times, September 5, 1998
Wise, Kelly, "Fantasies, Fables Kindles the Imagination," Boston Globe,
August, 1991
Wise, Kelly, "Photography Overthrew Modernism," The Boston Sunday Globe,
January 1, 1989
Wood, Eve, "Eileen Cowin, Los Angeles" Art Papers, March/April 2007
"Women in Photography," Exposure 19:3, Society for Photographic Education
Wride, Tim, "Collection Highlight" At the Museum, The Members’ Magazine
of The Los Angeles County Museum of Art, October 1996
Young, Cynthia, "Rochester’s Women and Photography Conference",
Afterimage, July/August 1998
Yuan, Angie, "Photos of ’Fantasies, Fables, and Fabrications’ explores
style of the 80’s" Tuffs Daily, March 6, 1989
Zellen, Jody, "Eileen Cowin", Artpress, April 2000
ZYZZYVA, Volume II, #3, Fall 1986 ; Volume
V. #3, Fall 1989 (reproduction) |
AWARDS, GRANTS, PUBLIC COMMISSIONS |
2012 |
California Community Foundation Fellowship
|
2012 |
City of Santa Monica Artist Project Fellowship
|
2011 |
Center for Cultural Innovation Investing in Artists Grant
|
2010 |
How Many Billboards, Art in Stead, MAK Center for Art and Architecture
|
2009 |
Artist in Residence, Pasadena City College, Pasadena, CA |
2003 |
Best Experimental Film, USA Film Festival
Dallas, TX |
2003 |
Faculty Enhancement and Instructional Development
Grant, CSU, Fullerton |
2002 |
Sundance Independent Film Festival. Commission |
2001 |
California Community Arts Foundation, Artist’s
Fellowship in New Genres |
2001 |
Metro Rail Light Boxes, MTA Metro Art, Los Angeles,
CA |
2000 |
Completion Grant, The Durfee Foundation, Santa
Monica, CA
Billboard,"Made In California", Los Angeles County Museum of
Art, Los Angeles,CA |
1997 |
Individual Artists Grant, City Of Los Angeles,
CA |
1994 |
Art Matters, Inc. Artist Fellowship, New York,
NY |
1990 |
Public Art Fund, Pennsylvania Station Project,
New York, NY |
1990
1982
1979
|
Photographer’s Fellowship Grant, National Endowment
for the Arts |
1990
1989
1988 |
Meritorious Performance and Promise Award, California
State University, Fullerton,CA |
1974 |
Workshop Grant, National Endowment for the Arts |
LECTURES and PANELS |
2010 |
Contemporary Photography in California, Orange County Museum of Art, Newport Beach, CA
American Stories Today, Los Angeles County Museum of Art, Los Angeles, CA 30 Photographers. A Minute for an Image, Pier 39 Studios, Santa Monica, CA Continuum Panel, Sylvia White Gallery, Venture, CA
|
2009 |
Pasadena City College, Pasadena, CA
|
2008 |
Columbia College, Chicago, Illinois
University of New Mexico, Albuquerque, New Mexico
Julia Dean Photo Workshops, Venice, California
|
2007 |
San Jose State University, San Jose, California
California College of the Arts, Oakland California
School of Visual Arts, New York, New York
|
2006 |
California, State University, San Bernardino, California
Baruch College, CUNY, New York, New York
|
2004 |
Nassau Community College, New York
USC, Fisher Gallery, Los Angeles, California
|
2003 |
The J.Paul Getty Museum: Frames of Reference:
Photographers on Photography |
2001 |
The Contemporary Arts Center, Cincinnati, Ohio |
2000 |
University of Maryland, Baltimore, Maryland
Southeast Museum of Photography, Daytona Beach, Florida
The Armory Center for the Arts, Pasadena, California |
1999 |
Southeast Museum of Photography, Daytona Beach,
Florida |
1998 |
Art Center College of Art and Design, Pasadena,
California
Fanny Knap Lecture Series, University of Rochester, Rochester, New York |
1997 |
Docent lecture, Armand Hammer Museum at UCLA, Los
Angeles, California
Syracuse University, Syracuse, New York |
1996 |
Panel, Art Center College of Art and Design, Pasadena,
California
Docent tour, Venice Family Clinic, Culver City, California |
1995 |
Museum of Photographic Arts, San Diego, California
School of Visual Arts, New York, New York
The San Luis Obispo Art Center, San Luis Obispo, California |
1994 |
Long Beach Museum of Art, Long Beach, California |
1993 |
Art Center College of Art and Design, Pasadena,
California |
1992 |
San Francisco Camerawork, San Francisco, California
Hochschule fur angewandte Kunst, Vienna, Austria
Rochester Institute of Technology, Rochester, New York
School of Visual Arts, New York, New York |
1991 |
California State University, San Bernardino, California
Columbia College, Chicago, Illinois
Art Center College of Art and Design, Pasadena, California |
1990 |
University of California, Riverside, California
California Institute of the Arts, Valencia, California
Panel, Walker Art Center, Minneapolis, Minnesota
University of Maryland, Catonsville, Maryland
New Orleans Museum of Art, New Orleans, Louisiana
Maryland Institute of Art, Baltimore Maryland
Art Center College of Art and Design, Pasadena, California
University of New Mexico, Albuquerque, New Mexico |
1989 |
University of California, Riverside, California
Panel, California State University, Fullerton |
1988 |
Notre Dame University, South Bend, Indiana
Alfred University, Alfred, New York |
1987 |
Min Gallery and Studio, Tokyo, Japan
Center for Contemporary Art, Osaka, Japan
Panel, California State University, Fullerton, California
Art Center College of Art and Design, Pasadena, California
University of Colorado, Boulder, Colorado
University of Illinois, Champaign-Urbana, Illinois |
1986 |
University of Connecticut, Storrs, Connecticut
Boston Museum School, Boston, Massachusetts
State University of New York, New Paltz, New York
University of California, Los Angeles, California |
1985 |
San Francisco Art Institute, San Francisco, California
Southern Illinois University, Carbondale, Illinois
School of the Art Institute, Chicago, Illinois |
1984 |
Panel, San Francisco Museum of Modern Art, San
Francisco, California |
1983 |
Panel, Society for Photographic Education 20th
Annual Conference, Philadelphia, Pennsylvania
Orange Coast College, Costa Mesa, California
The Colorado College, Colorado Springs, Colorado
University of Southern California, Los Angeles, California |
1982 |
University of Minnesota, Minneapolis, Minnesota
Film in the Cities, St. Paul, Minnesota
Los Angeles County Museum of Art, Los Angeles, California
Los Angeles Center for Photographic Studies, Los Angeles, California |
1981 |
Maple House Lecture Series VII, Fremont, California
University of California, Santa Barbara, California |
1980 |
Columbia College, Chicago, Illinois
University of Illinois, Chicago, Illinois
School of the Art Institute of Chicago, Chicago, Illinois |
1979 |
University of New Mexico, Albuquerque, New Mexico
California Institute of the Arts, Valencia, California
Panel, Society for Photographic Education, 16th Annual National Conference,
Asilimar, California |
1978 |
San Francisco Art Institute, San Francisco, California |
1976 |
San Francisco Art Institute, San Francisco, California
California Institute of the Arts, Valencia, California
Boston Museum School, Boston, Massachusetts |
1975 |
University of Rhode Island, Kingston, Rhode Island |
1974 |
Dayton Art Institute, Dayton, Ohio |
1973 |
Rhode Island School of Art and Design, Providence,
Rhode Island
Florida State University, Tallahassee, Florida |
1972 |
Dayton Art Institute, Dayton, Ohio |
1971 |
Cooper Union, New York, New York |
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